Everything is Rhythm

As a Tabla player for more than eight years and asstudios for a Latin band called Puro Mambo. I took all
of a few years now, a player of several other drumsthe percussion instruments I had; both big and small,
stemming from Africa to Asia, South America tohowever they seemed to only want the Latin
Australia, I feel that the label "multi-percussionist" hasinstruments. I disagreed and took out my Tabla.
been used on me by many, rather than just a "TablaAlthough they first seemed rather sceptical, the final
player" and so I want to explore more and find outoutput with the bouncing sounds I produced from
exactly what percussion is to me.the Tabla were much more sweeter and jelled
Percussion is a huge, unwieldy topic; looking at everyperfectly.
type of drumming in every culture on Earth at onceThis for me proves that the Tabla is my king of the
is an impossible undertaking. However, the wonderfulpercussion. I think here I pay tribute to the most
thing about our chosen instrument family is,important legend that has made music the most
everything rhythmic is relevant to what we do.important thing in my life and that is Pandit Sharda
The world of percussion is truly amazing. Drum kitSahai, my guru-jee. From the Tabla, I went to other
players can learn from congueros, Bodhranteachers of different instruments and mastered
enthusiasts from Dumbek dance accompanists,other drums. All other drums have simple beats and
rudimental drummers from the rhythms of Africanrhythms, but with the skills I have from the Tabla, I
tribes. It can go on and on. Just take the amount ofam able to improvise drastically on simple drums to
dances we can learn with our fingers on the Tablacreate juxtaposing sounds.
and the variety of beats that come through.For those who learn the Tabla, I wish you well and
Today we have an unprecedented opportunity tourge you to continue with that before touching upon
explore the instruments, rhythms and concepts of aany other instruments. For those who want to learn
variety of cultures and incorporate those ideas intothe Tabla, I urge you to make your decision quick
our own playing, regardless of genre. As an Asianand advice not to think about other instruments yet.
multi-percussionist, I believe in learning from all theThe Tabla will be your guidance into other
generations of drummers who applied stick, hand, orinstruments. Master the Tabla and you can play any
other implements to skin, stone, wood, metal orinstrument just by picking it up. It really is true.
plastic before me.Coming to a close, I'd like to share a great, quick
Personally, it has been the Tabla that has driven allexercise. Find a quiet room, sit quietly and relaxed,
my other percussions. Learning both classical and folkand just listen. Listen out for your heartbeat. Place a
Tabla and consistently listening to music all the time,hand on your chest and feel the rhythm. The
has allowed me to master dozens of beats andheartbeat is the mega-rhythm that connects us all,
rhythms from all around the world mentally beforeyet no two heartbeats are exactly alike. Live in that
getting out the drums and experimenting on themrhythm for a minute or two, and then play it on your
for the purest sounds.knee. Play it, and then play variations on it. Use both
The real secret to being a great drummer, andhands. Feel the music of your body.
something I've learnt and have been working on forExciting, isn't it? A constantly playing percussion
a long while is essentially really simple. And, I'm notinstrument right inside you, accessible any time you
going to say PRACTICE, because that's prettycan be quiet and concentrate on it. Add in the
obvious anyway. The secret is to listen to music.rhythms of your circulatory and respiratory systems,
Listen to all genres of music, be it heavy metal, rock,and you have a percussion ensemble playing to the
soft sounds, pan pipes, R&B, hip hop, jazz, soul,tempo of your life.
funk, folk, classical, etc. By doing this, you develop aUntil next time, focus on the rhythms in your body
rhythmical ear that can adjust to all music and pick upand all around you - traffic, machinery, other people,
on anything.the sounds of nature. Rhythms are everywhere, and
Let me share with you a recent example. Back in Julyeverything is informed by rhythm. Tap into that, and
2005, I was recording as a percussionist in theyour playing will benefit.